Grammars of Light brings together the practices of three artists that transform the spaces of Astrup Fearnley Museet with immersive installations. Cerith Wyn Evans, Ann Lislegaard, and P. Staff manipulate artificial light—technologies such as digital projectors, electrified neon gas and programmable LEDs—to viscerally impact and choreograph the movement of visitors. Their works dynamically respond to the surrounding architecture as well as incorporate references to other built forms and structures. Light columns are duplicated in the museum’s glass ceiling, crystalline forms consume a modernist building, and holographic fans form a corridor of intense luminosity.